I don't just love Graveyard Train, I am in love with Graveyard Train.
If you're someone who demands perfect pitch, heavenly voices and crisp clean sound, then this is not the band for you. If, however, the thought of a line of (albeit somewhat dirt-covered) grown-men choral-singing chain-gang-style ballads about werewolves, witches, and wagon trains gets your juices flowing... well then we've got something very important in common.
I had the pleasure of seeing Graveyard Train not once, but three times, three days in a row at this year's Hillside Festival in Guelph. As with many Hillside experiences we stumbled upon this band through a workshop session they were playing with another band (in this case Karkwa out of Montreal) and got to be part of a group-discovery that clearly had dozens of people simultaneously hooked.
I have a bit of a thing for odd instruments and in this category GT hits the jackpot. Playing everything from steel and slide guitar, to banjo, stand-up bass and chains (yes chains. played with a hammer) they run the gambit. Not only that but they dress and act the part, with dirty white tank tops, plaid shirts and suspenders their omnipresent uniform they look like they walked out of the Australian wild-west (complete with tipped hats and shoeless feet) and sound like they just emerged from a mine shaft.
Their epic choral singing stirs your soul in a way that makes you believe in ghosts, and drove us to see them not once, but three times over the course of the weekend. The only less-than-perfect thing about the experience was the knowledge that they were Australia-bound mere days later and that it will be a long time before I get to see them again!
If, however, you ever get the chance to see them live, take it. Then call and tell me where you are so I can go too!
So I already know that as you're reading that title you're thinking "Top five? Shouldn't that be top ten?" Unless of course you know me personally in which case you're likely thinking "Oh gawd, not another top five list..." you're welcome dear readers for not regularly inflicting these on you... Either way, I am a fan of the top five list over the top ten because I find it more challenging. And more reflective of actual 'best of's. And just better. So yeah.
I should perhaps start off by mentioning that this is not the top five CANADIAN bands of 2011, even though it pretty much looks that way... What can I say, I love Canadian music! Can I help it if we have awesome bands up here? No. No I cannot help that. I can, however, revel in the fact and enjoy every minute of music listening joy. Also I am not a "Top Five Albums" kind of gal- sure all of these bands released albums in 2011, and sure I absolutely love all of them (and may or may not have done several weeks of chain-listening), but it is too difficult for me to separate a band's on-album work from their live performances. Plus live performances are just awesome. Seriously. So without further ado:
One of the many bands my sister introduced be to this year who I have since fallen totally in love with- their combination of clever-lyric riddled short songs, cheery attitudes, and wonderful music/voices make listening to their music on headphones or in the car a joy and even better in person. The venue (the live lounge in Ottawa's Bytown Market) made it even better, with some of the best pre-show music I have heard in a long time (perhaps ever actually! Ele will back me up on that) the perfect size (big enough but not too big) a great crowd (enthusiastic, but devoted enough to manage complete silence during the beautifully performed Curse of the Currents), good sound and even a free cd at the door!
As with all good concerts, it has to be at least partially described by saying (cheesy at it always sounds) the vibe was great- everyone was excited to be there, especially the band. Impromptu sing-alongs, acoustic jamming, and cheerful banter abounded. They played all their hits (not difficult for a band with only two full length albums and only maybe three songs clocking in at over two minutes, but still appreciated!) and a slew of new ones which were well received, albeit skeptically at first.
Its always nice to be at a show where you really get the feeling that no one in the room would wish to be anywhere else. This was that show. Excellent.
CBGB stands for Country, Bluegrass, Blues. Seriously now, who would have guessed that? I mean obviously if you're a CBGB fan you would almost certainly know it, but most people who have only a cursory knowledge of CBGBs as a former rock club in New York City (arguably THE former rock club in New York City), I think would be surprised to learn that name of the legendary local has nothing to do with Rock and everything to do with Country...
I used to be one of those people who likes "all kinds of music... except for country and rap." Which was complete bollocks because 1) People who say they like 'all kinds of music' are usually the same people who can't name three of their favourite bands, and I am most definitely NOT that kind of a people, 2) I actually do like some rap, particularly 80s era rap, and I'm not sure that this is the best example of 'rap' music as we define it nowadays, but The Fresh Prince of BelAir was one of the first songs I ever knew all of the lyrics to, and 3) I totally do like country. My teenage-self would hit me over the head with a two by four for even thinking of uttering that sentence, but it does not make it any less true. I actually love country music.
I don't really know when or how it happened, but it happened. Hard core. (Okay not THAT hard core, because I only like a very specific kind of country music (CBGB one might say...) and still have a very viscerally unpleasant reaction to pop country- you know, the my-girlfriends-stole-my-truck-and-ran-over-my-dog-on-the-way-to-go-marry-her-cousin kind of country... or the I-got-nothin-to-say-but-gee-don't-I-sound-real-perdy kind. no good. borderline offensively bad.) And this is what I love: banjo music. Johnny Cash music. washboards and wagon trains and tumbleweeds music. Hells my current favourite band (Elliott Brood of course) boasts two banjos a harmonica and a slide guitar and has more than one song about a wagon train (as does Graveyard Train, another current love- though they also play chains, washboard and stand-up bass...)
(I swear this will relate back in a moment so bare with me) I recently saw Dan Mangan in concert and have since fallen in love with his song Road Regrets, particularly one stanza which goes, and I quote: "and rob he likes his country tunes. it’s never been the lens that i see through. but i guess driving for a week or two puts words in your mouth. so find dodge and then get out of it. it’s about as country as i get"
though arguable not 'country at all' the video for Road Regrets has
numerous similarities to Elliott Brood's video for Second Son
It captures something about country that I have up till now had difficultly grasping- that it is a lens rather than just a sound. I may love the banjo and the hitting-objects-with-wooden-spoons, but its the storytelling that gets me, more specifically the way in which a country-song story is told (both lyrically and with the music...). Its the narrative and the music working together to create the imagery, to create the story, to create the world of the song... So despite my best intentions, it actually is the my-girlfriends-stole-my-truck-and-ran-over-my-dog-on-the-way-to-go-marry-her-cousin that I love. As long as its more about wagon trains and less about soap operas set in backwater Texas...
Sorry sixteen-year-old-me, I just can't help it- I loves me a good yarn.
Road Regrets by Dan Mangan
we’ll drive until the gas is gone. and then walk until our feet are torn. crawl until we feed the soil. film the whole thing. it’s all business in the left hand lane. drive there and then drive back again. escape can’t be the only way to escape. so i’ve gotten used to coffee sweats. still getting used to road regrets. hell, i took you up on all your threats to leave. it’s a shame, it’s a crying shame. and ain’t it always the way that takes you back to from where it is you came. and rob he likes his country tunes. it’s never been the lens that i see through. but i guess driving for a week or two puts words in your mouth. so find dodge and then get out of it. it’s about as country as i get. see you ain’t living until you’re living it. not dead ’till you die. but watch out for the paraphrase. for they will crown you then they will take your legs. see the cost is more than what you get paid. but do it anyway. it’s a shame, it’s a crying shame. and ain’t it always the way that takes you back to from where it is you came.
...the crossroads between 'Lame' and 'Awesome.' The sign pointing that way says 'Lame.' The sign pointing this way says 'Awesome.' I know which way I'm going...!"
So my sister has been putting a plan into action the past few months- no not a secret plan to fight inflation- but a secret plan none the less. She has been conspiring to make me like all of her favourite bands. And it worked.
Tonight I went to see 'Said the Whale' and "Rah Rah'. Two of 'Krista's bands' that she has been putting on mixed cds since January. Two bands that I never knew existed a few months ago, and now feel like I've been listening to for forever. Even better she's gotten my roomate loving these bands as well! Always nice when you don't have to drag someone along, but can just tell them who is playing and they jump at the chance :o)
We had a great time. The show was awesome (see quote at the top. They weren't kiddin- they chose the awesome path) and of course it got me into the whole "Oh I love live music... live music... concerts... I love them so!" and the thinking, wondering about how there are people out there who possibly don't share that sentiment... I mean as I've said on many occasions- I get it academically speaking. I mean I don't like green peppers, they don't like concerts. Fine. There are reasons- your feet hurt, your voice goes hoarse, you're super tired the next day... (more on that in my next post!) but man is it worth it. Its so much more than just listening to music in a room with a bunch of people you don't know- the vibe (not to sounds lame but yes, the vibe) at a good concert is such a rush. Everyone having a great time, singing along, dancing and jumping... and seeing the band grinning from ear to ear ("The only thing I don't like about tonight is that my face hurts because I can't stop smiling! you guys are amazing!" observed Ben Worcester) having a fantastic time ("this is so short! I mean it went by so fast! ... that's a good thing by the way, it means we're having fun up here!" said Tyler Bancroft) just makes it even better. Like when we saw Karkwa at hillside and the lead singer could not stop giggling at the seventeen year olds rocking out in the front row- you could tell he thought it was hilarious. Or the look on the faces of Graveyard Train when our crowd started moshing and crazy-dancing- the next day they tweeted "Best show ever- we got the Canadians crowd surfing!" To know that its not just you, or even just the rest of the audience who is feeling that (again, please excuse the cheese) magical serendipitous feeling...
In other words its the whole experience. Sharing that time, that space, that experience with a roomful of other people you don't even know, but who you have at least one thing in common with... its golden. Simply golden.
So at Folkfest last night I had an experience which has become strangely familiar to me over the course of the past few months- that of falling completely in love with the band playing on stage. At times its with a band I already adore (I am not sure that I am actually capable of explaining how much I feel about Elliott Brood...) or one I have never even heard of (hi Graveyard Train. Yes. You are crazy awesome. Mostly Crazy. But also Awesome.) but it is a feeling that can be topped by very few things in life. Actually that statement is mostly assumption, as I am simply guessing that seeing your kid for the first time ought to feel better than falling in love with a band, but I would also not be surprised if it felt exactly the same... that's how much I love this feeling.
The most recent subject of my adoration (type two, the "never before heard of them" kind) is Punch Brothers. Its the mandolin, its the banjo, its the low voices, their olde tymey suits and their charming ways that combine to make a magical wonderfullness that makes me so excited that I sprinted from one end of the grounds to the complete opposite corner (in the middle of their set) to purchase a CD, then ran all the way back, missing only one song ( Rye Whiskey is a perfect example of a song of theirs that elicits such a response from/in me...).
And its not just an idea, its not just a feeling, its an actual physical response. I was trying to explain to El what I meant by that and this was the best I could do- their songs make me feel like there are tiny chipmunks running around inside of my heart. Like their little tiny hands are kneeding the inside of my chest, hugging and tugging at my heart strings. Crawling around in there like its where they belong, like they always live there, only they don't let me know it unless they're really really happy. I don't know if that makes any sense at all, but its exactly what it feels like, and it feels both wonderful and super weird all at once. It came out of my mouth, this explanation, and it seemed the only and most perfect time I have ever described the feeling. And its a feeling I've had before. Its a feeling I've had about music (about certain bands or certain songs) for quite a while. About Sam Roberts, about the White Stripes, about the Decemberists and the Shins, but recently very often about Elliot Brood, Old Man Leudecke, Dry River Caravan and Graveyard Train. And so I found myself suddenly wondering; how why and HOW did it take me so long to realize that I love adore and LOVE bluegrass music!?!
I am happy being someone who likes many different types of music (I would never say "I like all kind of music" cuz to me that's just something someone says if they don't really like music at all...) , but I always used to add the caveat "but not country, never country"- and that made me happy, I was ok with that as my definition of my sphere of music-liking. Except that it was never true. Big Wreck takes a lot from country, as did CCR, and The Lovin' Spoonful- all favourite bands of my youth. The first time I saw "Oh Brother Where Art Thou?" I did nothing but listen to the soundtrack for weeks... 'Jackson' by Johnny Cash has also been known to lodge itself into my skull and not let go... and don't even get me started on banjo- oh banjo! the most inexplicably sexy and wonderful instrument on the planet.
So I'm giving up another part of who i thought I was, taking on yet another thing that the teenage me would have not only scoffed at, but quite possibly never-spoken-to-me-again over- I no longer hate country music. Pop Country- the Carrie Underwoods and the Kenny Chesneys of the world- is still safely outside of my sphere of like, but prog-bluegrass, death-country and alt-country? I likes em. There I said it. How can I not admit to liking that makes my tiny heart chipmunks so happy?
Not with a person. That too normal, too plain. I am in love with six (or it it seven?) persons- though I suppose perhaps more accurately I am in love with their band...
I tend to get a little excited about music (understatement? yes. super-excited? more accurate). If you know me at all (or have, like, ever read this blog) you would not be at all surprised by that statement. You might, however, be surprised to know that, of my experiences of falling in love with bands, the sudden, immediate, 'holy crap who the hell is this?' ones are surprisingly few. Now I suppose this makes sense as you don't often go to see a band live unless you've at least hear of them, but the magic of music festivals lies exactly in creating such opportunities for discovery and love-falling-in. In seeing bands perform whom you've never heard of and would otherwise have never been exposed to. I've written before about the first time I saw Arcade Fire, the 'ummmmm who is this? because they kind of freakin rock... ' vibe and how that was the first and only time I've ever seen that happen to a whole field-full of people at exactly the same time... well that story must now be amended, for I have once again been privileged to be a part of a room-full (or in this case tent-full) of people simultaneously falling in love with a band. And that band is Graveyard Train.
They classify themselves as 'horror-country' (strikingly similar to the self-moniker of 'death-country' used by one of my all-time favourites Elliot Brood) and are a crazy-awesome mix of a tumble-weed-covered-frontier-town-saloon crossed with chain-gang-running-from-a-pack-of-zombies. K and I spent the weekend discussing the awesomeness of their man-choir voices and their amazing choice of instruments (steel guitar, slide guitar, banjo, stand-up bass and chains. yes chains. played with a hammer.) and going to see them as many times as possible (three times in three days was almost not enough!) but the part that stands out most for me was the first twenty seconds of the first song I ever heard them play.
At Hillside there are main-stage and side-stage performances, but there are also workshops where bands who have never met, and often never even heard of each other, get together and jam. The regular performances are usually pretty durn awesome, but the jam sessions are where the unexpected, unprecedented, and totally magical become common place. We had just gone to see Karkwa who were amaaaazing (and will soon have their whole own blogpost I'm sure...) and they were playing a workshop later on that evening in one of the tents, so we headed on over. It turned out they were going to be jamming with a band from Australia (Australian meets Quebequois was to be a theme for the weekend) who looked like they had just stepped off of a wagon train. I was already pretty excited when I saw the banjo and the steel guitar, but nothing could have prepared me for the music...
They came on stage. They picked up their instruments ("Is that guy holding a chain!?!" "Which guy?" "The one in the dirty tank-top, suspenders, and work-pant cut-offs..."). The lead singer tipped his hat. They started singing. Holy. Shit.
We were hit by the wall of sound of five men (manly men. dirty men. men men) stretched out in a line across the stage, belting out harmonies the likes of which have not seen the light of day since 1879. We stood stunned. The whole tent stood stunned. There was a stunned silence, literally. (Well not quite literally as there was the music... but other than the music there was a stunned silence.) Eight seconds, nine seconds... I turned to K, she was looking back at me; "Who the fuck are these guys!?!" We looked around. Everyone looked around. We were all turning to the side and saying the exact same thing...
Twelve seconds... a murmur sweeps the tent...
Fifteen seconds... everyone's head starts to move up and down. shoulders shrugging in rhythm...
It got even better as the song went on. It got even better with each song. Karkwa joined in and it got even better and better. After they were finished I speed-walked to the merch tent and straight up to the table, picked up their CD and handed it to the girl behind the counter: "I need this one." I was sad when it was over, but super excited that I would get to watch them again the next day, and again the day after that... Even more excited when the same experience was repeated two more times, with the slight modification of a growing crowd at the front of those of us already-converted, and a diminishing crowd of first-timers sitting in-behind, wondering at why we were all so excited (until they experienced their own first-twenty-seconds and joined the ranks of the initiated).
Its a pretty magical thing to be a part of an amazing concert and even more so one where so many people are seeing a band for the first time and falling in love with them. Scratch that, its DAMN FINE. It a damn fine thing to have such a wonderful group experience- and to get to have it again and again three days in a row.
Thank you Hillside. Thank you Graveyard Train. Thank you tent-people with whom I got to share this! Now disperse and spread the word... music is a wonderful thing.
